Psychology of Rhythm - Class Schedule
Wednesday September 22 Organizational meeting
Week 1: Background
Monday September 26 Justin London (2004)
Hearing in Time: Psychological Aspects of Musical Meter.
Oxford: Oxford University Press. Chapters 1-3.
Wednesday September 28 Justin London (2004)
Hearing in Time: Psychological Aspects of Musical Meter.
Oxford: Oxford University Press. Chapters 4-7.
Week 2: Classic Experiments
Monday October 3 Eric Clarke (1999). Rhythm and timing in music. In:
D. Deutsch (Ed.) The Psychology of Music.
2nd edition. San Diego: Academic Press, pp. 473-500.
Dirk-Jan Povel & Peter Essens (1985). Perception of temporal
patterns. Music Perception, Vol. 2, No. 4, pp. 411-440.
Wednesday October 5 Eric Clarke (1987). Categorical rhythm perception:
An ecological perspective. In: A. Gabrielsson (Ed.)
Action and Perception in Rhythm and Music.
Stockholm: Royal Swedish Academy of Music, pp. 19-33.
Week 3: Rhythm, Language, and Prosody
Monday October 10 Ani Patel & Joseph Daniele (2003). An empirical
comparison of rhythm in language and music.
Cognition, Vol. 87, B35-B45.
David Huron & Joy Ollen (2003). Agogic constrast in French
and English themes: Further support for Patel and Daniele.
Music Perception,
Wednesday October 12 Jaan Ross & Ilse Lehiste (2001) The Temporal Structure
of Estonian Runic Songs. Berlin: Mouton de Gruyter.
Week 4: Rhythm & Attention
Monday October 17 Mari Jones (1976). Time, our lost dimension: Toward a new
theory of perception, attention, and memory.
Psychological Review, Vol. 83, No. 5, pp. 323-355.
Wednesday October 19 Mari Jones, Heather Moynihan, Noah MacKenzie &
Jennifer Puente (2002). Temporal aspects of stimulus-driven
attending in dynamic arrays. Psychological Science,
Vol. 13, No. 4, pp. 313-319.
Week 5: African Rhythm
Monday October 24 Prof. Mari Reis Jones visits our class
Wednesday October 26 Jeff Pressing (1983). Cognitive ismorphisms between pitch
and rhythm in World musics: West Africa, the Balkans and
Western tonality. Studies in Music, Vol. 17,
pp. 38-61.
Kofi Agawu (2003). Representing African Music:
Postcolonial Notes, Queries, Positions. New York:
Routledge, pp. 71-96.
Week 6: Figural Rhythmic Perception
Monday October 31 David Huron (2006). Expectations in time. In:
Sweet Anticipation: Music and the Psychology of
Expectation. Cambridge, MA: MIT Press.
Chapter 10.
David Huron (2006). Creating predictability. In:
Sweet Anticipation: Music and the Psychology of
Expectation. Cambridge, MA: MIT Press.
Chapter 13.
Wednesday November 2 Bulgarian Aksak rhythms;
Stravinsky & "irregular" rhythms
Week 7: Syncopation & Performance
Monday November 7 David Huron & Ann Ommen (under review).
An Empirical study of syncopation in American popular
music 1890-1939.
David Huron (2006). Creating surprise. In:
Sweet Anticipation: Music and the Psychology of
Expectation. Cambridge, MA: MIT Press.
Chapter 14.
Wednesday November 9 Caroline Palmer (1997). Music performance.
Annual Review of Psychology, Vol. 48, pp. 115-138.
Week 8: Rubato
Monday November 14 Bruno Repp, "XXX"
Johan Sundberg, Anders Friberg, and Roberto Bresin (2003).
Attempts to reproduce a pianist's expressive timing with
Director Musices performance rules.
Journal of New Music Research, Vol. 32,
No. 3, 317-326.
Friberg, A, Colombo, V, Frydén, L and Sundberg, J (2000).
Generating musical performances with Director Musices.
Computer Music Journal, Vol. 24, No. 3, pp. 23-29.
Johan Sundberg (2000).
Emotive transforms.
Phonetica, Vol. 57, pp. 95-112.
Ulf Kronman & Johan Sundberg (1987). Is the ritard an
allusion to locomotion? In: A. Gabrielsson (Ed.)
Action and Perception in Rhythm and Music.
Stockholm: Royal Swedish Academy of Music, pp. 57-68.
Piet Vos & Stephen Handel (1987). Playing triplets:
Facts and preferences. In: A. Gabrielsson (Ed.)
Action and Perception in Rhythm and Music.
Stockholm: Royal Swedish Academy of Music, pp. 35-47.
Neil Todd (1985). A model of expressive timing in tonal
music. Music Perception, Vol. 3, pp. 35-58.
Wednesday November 16 Shortened class
Week 9: Analysis
Monday November 21 Ani Patel lecture 4PM Music & Dance Library
Monday November 21 Cooper & Meyer, Lerdahl & Jackendoff, GTTM
Wednesday November 23 Thanksgiving Holiday - no class
Week 10: A Sense of Time
Monday November 28 David Huron (2006). Creating tension. In:
Sweet Anticipation: Music and the Psychology of
Expectation. Cambridge, MA: MIT Press.
Chapter 15.
Wednesday November 30 The Psychological Present; Trance
David Huron (2006). Expecting the unexpected. In:
Sweet Anticipation: Music and the Psychology of
Expectation. Cambridge, MA: MIT Press.
Chapter 16.
This document is available at:
http://csml.som.ohio-state.edu/Music839D/schedule.html